Eventually the plot complexities become more coherent, setting the action up for the forthcoming finale, The Return Of The King.Īs we've come to expect, this is spectacular stuff - from an opening which sees Frodo troubled by dreams about the demise of Gandalf, through to the climactic Battle Of Helm's Deep, which is nothing short of breathtaking. Other newcomers include Faramir (David Wenham), the understandably miffed brother of the recently deceased Boromir, and Éowyn (Miranda Otto), who spends much of her time casting winsome glances in the general direction of Aragorn (Mortensen). There's also the first appearance of Saruman's spy, the sinister Wormtongue (Brad Dourif), and the complex Gollum, a brilliant combination of computer trickery and raspy vocals from Andy Serkis (the campaign for a Best Supporting Actor Oscar starts here). Picking up pretty much where Fellowship left off, this is a considerably darker film, with Frodo (Wood) falling further under the influence of the Ring (giving rise to some seriously spooky hallucinations), while Saruman (Christopher Lee) wreaks even more havoc. (Nor, indeed, does it extend the universe or deepen the relationships in the manner of The Empire Strikes Back.) That it still merits the full five stars is merely an indication of how high the benchmark has been set. As a stand-alone film, however, The Two Towers is not quite as good as Fellowship. Peter Jackson has always maintained that The Two Towers is "the second act" of his epic undertaking, and perhaps the true greatness of the middle chapter will only be clear when viewed in context.
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